Remnants of an Institution at 197  Dixwell Ave, 2019
Remnants of an Institution at 197 Dixwell Ave, 2019

Digital chromogenic print. 30 inches x 30 inches. 4 Editions + 2 AP Prints

Film Excerpt, Constructs and Context Relativity: Performance I

Single Channel HD Video and Super 8mm Transfer

18:56 min TRT

Installation View of Constructs and Context Relativity: Performance I, 2020
Installation View of Constructs and Context Relativity: Performance I, 2020
Portrait of Self Standing on 197 Dixwell Ave
Portrait of Self Standing on 197 Dixwell Ave

20 x 20 Archival Inkjet Print. 4 Editions + 2 AP Prints

Dirt Ground and Acrylic Assemblage, 2019
Dirt Ground and Acrylic Assemblage, 2019

24 x 36, digital chromogenic print mounted on Dibond, with acrylic assemblage

Cement Cylinders with metal and platform, 2019
Cement Cylinders with metal and platform, 2019

4 Cement Cylinders with metal on 4” X 4” cement Indoor floor vinyl adhesive.

Constructs and Context Relativity: Performance I, 2019. Video Still 10
Constructs and Context Relativity: Performance I, 2019. Video Still 10

I knew that I wanted to explore object-space experiences,

Immateriality, form, perspective, composition…

Material Culture. Architectural landscapes. History…

–Christie Neptune. Narration excerpt from Constructs and Context Relativity: Performance I.

Single-channel HD video and super 8mm film transfer. TRT 18:56mins.

Installation View of Constructs and Context Relativity: Performance I, 2020
Installation View of Constructs and Context Relativity: Performance I, 2020

Performance 1 draws from research conducted during a one-year fellowship in New Haven, CT. In Performance 1, I examine the site of a closed community center in the predominately African American neighborhood of Dixwell to highlight the significance of "place." Concrete columns made from cylindrical molds; photographs in abstraction, and disparate industrial materials filtered through assemblage and documentary recall the physical remnants of a community cultural marker, developed during an American era of social improvement and urban revitalization. Through recorded performance, I explore space as an abstract of material objects activated through the presence of the body and social history. I ask: how does the role of "absence" and "presence" transform the social dynamics of place?

Photo by Jason Wyche. Image courtesy of BRIC

Untitled, 2019
Untitled, 2019

Video Still (Super 8mm), Constructs and Context Relativity: Performance I, 2019

Remnants of an Institution at 197  Dixwell Ave, 2019
Film Excerpt, Constructs and Context Relativity: Performance I
Installation View of Constructs and Context Relativity: Performance I, 2020
Portrait of Self Standing on 197 Dixwell Ave
Dirt Ground and Acrylic Assemblage, 2019
Cement Cylinders with metal and platform, 2019
Constructs and Context Relativity: Performance I, 2019. Video Still 10
Installation View of Constructs and Context Relativity: Performance I, 2020
Untitled, 2019
Remnants of an Institution at 197 Dixwell Ave, 2019

Digital chromogenic print. 30 inches x 30 inches. 4 Editions + 2 AP Prints

Film Excerpt, Constructs and Context Relativity: Performance I

Single Channel HD Video and Super 8mm Transfer

18:56 min TRT

Installation View of Constructs and Context Relativity: Performance I, 2020
Portrait of Self Standing on 197 Dixwell Ave

20 x 20 Archival Inkjet Print. 4 Editions + 2 AP Prints

Dirt Ground and Acrylic Assemblage, 2019

24 x 36, digital chromogenic print mounted on Dibond, with acrylic assemblage

Cement Cylinders with metal and platform, 2019

4 Cement Cylinders with metal on 4” X 4” cement Indoor floor vinyl adhesive.

Constructs and Context Relativity: Performance I, 2019. Video Still 10

I knew that I wanted to explore object-space experiences,

Immateriality, form, perspective, composition…

Material Culture. Architectural landscapes. History…

–Christie Neptune. Narration excerpt from Constructs and Context Relativity: Performance I.

Single-channel HD video and super 8mm film transfer. TRT 18:56mins.

Installation View of Constructs and Context Relativity: Performance I, 2020

Performance 1 draws from research conducted during a one-year fellowship in New Haven, CT. In Performance 1, I examine the site of a closed community center in the predominately African American neighborhood of Dixwell to highlight the significance of "place." Concrete columns made from cylindrical molds; photographs in abstraction, and disparate industrial materials filtered through assemblage and documentary recall the physical remnants of a community cultural marker, developed during an American era of social improvement and urban revitalization. Through recorded performance, I explore space as an abstract of material objects activated through the presence of the body and social history. I ask: how does the role of "absence" and "presence" transform the social dynamics of place?

Photo by Jason Wyche. Image courtesy of BRIC

Untitled, 2019

Video Still (Super 8mm), Constructs and Context Relativity: Performance I, 2019

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